Chapter 1- Awake
Hey folks! Chapter 3 wraps up at the end of July, so I need some guest art for the break! If you’d like to help the comic and get some nice promotion for your art, consider submitting! All accepted guest art will be posted to the site’s main page with links to your social media site(s), and added to the Fan Art Gallery.
Guidelines for guest art:
- Submission period is from July 3rd to August 20th. The comic will be on break all through August, during which I will be posting guest art. Please send all submissions to michelle@centralia2050.com with “Guest Art Submission” as the subject line.
- Single illustrations or one-page comics preferred.
- Please send files as JPG or PNG, 900 px at the widest. Be sure to include your name and a link to your website/social media so I can credit you!
- Artwork must be related to Centralia 2050 and its characters.
- No NSFW or suggestive artwork.
- I reserve the right to refuse any submissions if I feel they don’t follow the guidelines or are generally a poor fit for the comic.
2 thoughts on “Ch 7 Page 28”
Sparrow
WOAH, oh man. I did NOT expect it to be that bad – I thought Midori would run off but almost to her death?! Thank goodness Grey was paying attention, and reacted in time.
The expressions of shock on both their faces are so heartbreaking ;-;
Grey looks a bit pissed at the end there though….I wonder what he’s thinking. I’m not sure if Midori actually yelled out Weiss’s name or not – which fits the seeming psychosis, honestly, being unsure what is said and what isn’t – but if Midori just *bolted* like that without saying *anything*….God.
Also I like the background people, they have a lot of diversity in appearance and reactions – some are gasping, a lot seem concerned. The attention isn’t good for them but idk, I guess i like that people aren’t completely checked out…even if nobody is doing anything, either. Bystander effect in full swing. something something SOCIETY.
Gaaaah ok final note, the composition is so good. The movement is so overwhelming and chaotic, the sudden appearance of the headlights of the train, the *whiplash* when Midori is grabbed – and the varying fonts overtaking the panels – like, Weiss shouts “Midori!” and it’s black text, then it shifts to Grey shouting it, and the text becomes white, then the final shout is black-and-white. It’s a tiny detail but it massively changes how things escalate, y’know? And how reality blurs, without using traditional text boxes. I notice more and more details the more I look. (“the doors are now closing”….is somehow so terrifying….)
BookWizard
Phew, that was a close call! This page has a great sense of movement and danger.