Chapter 1- Awake
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- Midori finds herself pulled from one reality to another, and back again.
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Ch 7 Page 28
Chapter 1+2 Pre-Order Ends TONIGHT!
The Centralia 2050 Kickstarter ends tonight at 12AM PST! If you want to get a high-resolution copy of the comic, head to kickstarter.com/projects/michelledraws/centralia-2050-issues-1-2 before time’s up!
You can get a digital PDF or a print copy+digital PDF, featuring the awesome original hi-res artwork that you don’t get to see in the webcomic. We’ve also unlocked a sticker stretch goal for all physical backers, so you get an exclusive set of stickers with your pledge! Additional extra rewards include colour artwork prints and original drawings, plus an exclusive 11×17 poster if we can reach stretch goal #2 before midnight!
HUGE thanks to all who’ve pledged to the campaign already!! Thank you for making this print run possible!
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2 thoughts on “Ch 7 Page 28”
Sparrow
WOAH, oh man. I did NOT expect it to be that bad – I thought Midori would run off but almost to her death?! Thank goodness Grey was paying attention, and reacted in time.
The expressions of shock on both their faces are so heartbreaking ;-;
Grey looks a bit pissed at the end there though….I wonder what he’s thinking. I’m not sure if Midori actually yelled out Weiss’s name or not – which fits the seeming psychosis, honestly, being unsure what is said and what isn’t – but if Midori just *bolted* like that without saying *anything*….God.
Also I like the background people, they have a lot of diversity in appearance and reactions – some are gasping, a lot seem concerned. The attention isn’t good for them but idk, I guess i like that people aren’t completely checked out…even if nobody is doing anything, either. Bystander effect in full swing. something something SOCIETY.
Gaaaah ok final note, the composition is so good. The movement is so overwhelming and chaotic, the sudden appearance of the headlights of the train, the *whiplash* when Midori is grabbed – and the varying fonts overtaking the panels – like, Weiss shouts “Midori!” and it’s black text, then it shifts to Grey shouting it, and the text becomes white, then the final shout is black-and-white. It’s a tiny detail but it massively changes how things escalate, y’know? And how reality blurs, without using traditional text boxes. I notice more and more details the more I look. (“the doors are now closing”….is somehow so terrifying….)
BookWizard
Phew, that was a close call! This page has a great sense of movement and danger.